Reading, 2014

I read 106 books last year. There’s not much new to say by way of an introduction: I continue to read fantasy, writing, and astrology books with other genres sprinkled in as they catch my eye. I read several books on Lenormand this year although I found the system of divination more memorable than any of the books I read about it. Still, this new interest motivated me to read a book in Spanish about it while I waited for books to come out in English. Okay, it was a thin book, but I made it through and was pleasantly surprised at how much Spanish I’ve retained

Now that I’ve started counting how many male and female authors I’ve read, I’m keeping it up:

Chart comparing numbers of male and female authors read.Again, more women than men. Really, I’m not even trying. That the total is 106 is coincidence, since I didn’t count anthologies and some books I read had two authors.

And with that, the list:

  • The Rise of Renegade X by Chelsea M. Campbell (9/10; finished 3/23/2014): I expected a hokey story. Really, a world in which superheroes and supervillains are not only born, but are conveniently marked with either an H or a V on their thumbs? And then the story turned out to have depth and nuance and surprises, and all those sorts of things. Sixteen-year-old Damien Locke, would-be supervillain, learns his father was a superhero when an X appears on his thumb instead of the hoped-for V. Worse, Dad wants to persuade him to become a superhero, and has Damien move in with his superhero family. An excellent YA book with an excellent sequel: The Trials of Renegade X.
  • When They Severed Earth from Sky: How the Human Mind Shapes Myth by Elizabeth Wayland Barber and Paul T. Barber (9/10; finished 4/8/2014): I’ve read books that look at mythology as literature, as archetypal psychology, and as remnants of religious practices. This is the first one I’ve read that uses cognitive science to analyze it. The authors argue that many myths describe real events as filtered through the limits of human memory and understanding. It was a fascinating perspective to consider, and well-explained.
  • The Last Policeman by Ben H. Winters (9/10; finished 5/8/2014): I have no idea why I decided to read this. It’s a police procedural set during the end of the world, and normally I don’t enjoy either police procedural or apocalyptic novels. This one was worth the effort. The author does a great job of depicting a man who clings to duty as a way to keep himself together both in the present disaster (an asteroid is due to hit the Earth in less than a year and wipe out most life), and the past traumas in his life. Watch the world continue to fall apart in Countdown City and World of Trouble.
  • Cold Magic by Kate Elliott (10/10; finished 7/14/2014): One criticism leveled against the fantasy genre is that it keeps telling stories about white people set in a pseudo-medieval Europe. So points to Kate Elliott for creating an alternative nineteenth-century England in which immigrants from Mali settled centuries earlier, leading to a culture that is a fusion of Celtic and Malian, with dashes of Roman. The narrator herself is Phoenician, although she’d never use that term herself. Plus humans aren’t the only sentient species on the planet, and like the title says, there’s magic. There’s an exciting plot to go along with the intriguing world-building. And the story gets that extra thumbs-up from me because even after Cat falls in love with the annoying-but-endearing man who throws her life into chaos, her loyalty to her cousin and best friend Bee remains paramount. The book is followed by Cold Fire and Cold Steel, which, alas, I didn’t love as much. But have I mentioned the great world-building in this one?
  • Eleanor by Jason Gurley (9/10; finished 8/12/2014): A fine novel that eventually turns into a fantasy novel, but I would have enjoyed it even without magic. A child’s death slowly destroys her family, the culmination of rot that started a generation earlier. I could wish the ending was a little tighter, but it wasn’t enough to spoil the book for me.
  • Writing Fiction for Dummies by Randy Ingermanson and Peter Economy (8/10; finished 8/13/2014): An unfortunate title. I realize all Dummies books follow this pattern, but it can be read as Writing Fiction for Dummies to Read, which is probably not what was intended. Anyway, this is a how-to-write book in which the authors aren’t afraid to say that their method may not work for everyone. It may be unique in that respect, and it was great to read something that wasn’t proselytizing at me. Indeed, the authors are willing to try to help both plotters and pantsers: you work your way through the chapters in one direction for pre-planning your novel and in reverse order if you prefer to write it all down first and shape it later.
  • Write Your Novel from the Middle: A New Approach for Plotters, Pantsers and Everyone in Between by James Scott Bell (9/10; finished 11/21/2014): This is short enough that it’s more of a fat pamphlet than a book. But it gave me a definition of a story’s midpoint that finally clicked with me: “Oh, that’s what it does!”
  • Antigoddess by Kendare Blake (8/10; finished 12/1/2014): Despite my love of Greek mythology, I don’t read all that many books that make use of it. I decided to read Antigoddess because with Athena as one of the protagonists, I figured Blake would avoid a lazy gods = villains, mortals = heroes equation, and she has. The gods are dying, slowly, in ways related to their powers. Athena and Hermes learn that Cassandra, reincarnated as a teenage girl in New York, may be the key to saving their lives, but Cassandra doesn’t remember them or her past life. Given how the sequel Mortal Gods ended, there better be a third book forthcoming.
  • The Invisible Orientation: An Introduction to Asexuality by Julie Sondra Decker (9/10; finished 12/21/2014): It’s pretty much what the title promises: an introduction to asexuality, a sexual orientation that’s only now starting to be generally known. Because the author figures that not all readers will read the entire book, she includes the key bits in every chapter, so it gets a bit repetitive at times. But it’s in plain English, easy to understand, and interesting, so I can forgive a little repetition.
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